Zoë nominated for Best Solo Performance in Also Recognised Awards – voting open now!

4 March 2016 22:07

Following her powerful portrayal of a guilt-ridden widow in All On Her Own, Zoë has been nominated for Best Solo Performance in the 2016 Also Recognised Awards.

Zoë earned considerable acclaim for her role in Terence Rattigan's monologue from theatregoers and critics alike, with the Guardian's Michael Billington praising her 'soul-baring virtuosity'. All On Her Own was performed alongside Rattigan's comedy Harlequinade, from October to January, as part of the Kenneth Branagh Theatre Company's inaugural season at London's Garrick Theatre.

Organised by MyTheatreMates.com, the Also Recognised Awards aim to celebrate aspects of theatre, on stage and off, that tend to be overlooked by more mainstream awards ceremonies. Other nominations include the Branagh Theatre season trailer for Best Show Trailer and the opening of the season as Theatre Event of the Year.

If you'd like to take part in the Also Recognised Awards, you can vote for your favourite nominees online until 25 March.

Let's keep our fingers crossed for Zoë!

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Zoë discusses her heroes and being starstruck: 'talent is a very, very exciting thing'

29 February 2016 18:38

Zoë is the special guest on the latest edition of 20 Questions with..., a lively programme broadcast on The Wireless from Age UK, a radio station aimed at mature listeners. The interview was first aired on 27 February and will be repeated on 1 March at 6am.

Presenter Rob Jones prompts Zoë to consider treasured possessions, ideal dinner party guests, what the future holds and more.

'Myself!' Zoë jokes, when she's asked to reveal what scares her the most. She explains that her 'impulsiveness and indecisiveness' frighten her, in particular, and admits to being 'hard on myself – but I think it's important [to be like that]'.

Zoë's heroes include three late, legendary actors: Laurence Olivier and Alan Rickman (who were both 'dynamic' individuals), as well as her father, Sam Wanamaker, whose 'tenacity' amazes her. Zoë also admires Robert De Niro, Marlon Brando and James Dean – she's impressed by people who can 'stand up and transform themselves'.

As Zoë remarks, 'talent is a very, very exciting thing'. She emphasises that she often feels starstruck, especially in the company of brain surgeons, lawyers and judges, whose formidable intellects enable them to deal with major 'human situations'.

The workings of the mind are central to her forthcoming production of a 'new play by a brilliant writer called Nick Payne'. Elegy, which will be performed at London's Donmar Warehouse this spring, is a 'very interesting piece set in the future'. It envisages a world in which the mysteries of the human brain have all been unravelled.

Finally, Zoë's motto, which she mentions at the end of the interview, is one that we should all adopt: 'Seize the day!'

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Zoë celebrates the 'joy' of Stevie Smith's work at London event

23 February 2016 03:47

In the run-up to her appearance at a recent event celebrating Stevie Smith's poetry, held in London, Zoë spoke to writer Bidisha about Smith's appeal for an article published by BBC Arts.

'She offers us a body of work that veers with unnerving regularity from baffling to acutely profound,' Zoë remarks in the article.

The twists and turns in Smith's writing may, to some extent, account for why the poet and novelist has often been misunderstood and her literary talent underestimated. As Bidisha points out, 'Despite her success, she is often represented as a quirky curiosity.'

Zoë's performance in biographical play Stevie has helped to bring about a resurgence of interest in the writer's work. As you may remember, Zoë recreated Smith's 1965 Cheltenham Literature Festival performance last autumn, in front of a large, enthusiastic crowd. Interviewed at the time for BBC Radio Gloucestershire, Zoë said of Smith: 'I think she's a forgotten woman writer, very strong and very quirky and very individual, and I think she should be celebrated.'

The other contributors to the BBC Arts article – academic Will May, biographer Frances Spalding and journalist Rachel Cooke – are also Smith enthusiasts. (In fact, May, who's edited The Collected Poems and Drawings of Stevie Smith, appeared alongside Zoë at the Cheltenham Literature Festival.) They joined Zoë on stage at the London event, which was hosted by King's Place on 15 February.

Presented by arts organisation Poet in the City and publisher Faber & Faber, the event attracted an audience of several hundred literature fans. Poet in the City's chief executive, Isobel Colchester, announced that it would celebrate 'Stevie Smith in all her diversity'.

Fittingly, the first voice the audience heard was in fact Smith's own: a recording of the poet reciting her most famous poem, 'Not Waving but Drowning'. The evening's other readings were given by Zoë. The first group of poems she performed included several characteristically humorous yet poignant works, most of which draw on events from Smith's life: 'The Frog Prince', 'Papa Love Baby', 'Freddy' and 'A House of Mercy'. (The latter poem, in which Smith reflects on growing up in a loving, protective 'house of female habitation' after being deserted by her father, is particularly memorable.)

Frances Spalding, the author of what's regarded as the definitive biography of Stevie Smith, emphasised that the writer made little direct comment on her own life. Even so, it's clear that the bleakness of some of Smith's poems contrasts with the 'rooted existence' (in Spalding's words) the writer enjoyed at home in Palmers Green. She feels that Smith had a gift for writing 'succinct, tragicomical and universal' poetry.

Spalding's talk was followed by some of Smith's bleakest poems. Zoë performed the wry yet moving 'Poor Soul, Poor Girl!' (in which a morbid debutante 'cannot imagine anything nicer / Than to be struck by lightning and killed'), 'Do Take Muriel Out', 'I'll Have Your Heart', 'Infelice', 'Pad, Pad' and 'Thoughts about the Person from Porlock'.

The evening's poems were accompanied by Smith's spidery line drawings. As Will May pointed out, the links between the drawings and poems are rarely obvious. The drawings never depict what we expect to see; instead they highlight Smith's fondness for interruptions, especially 'distractions and evasions', May emphasised.

Smith's writing is at its most mysterious and mesmerising in 'La Singe Qui Swing' (a poem, sung to the tune of 'Greensleeves', in which an ape frolics on a garden swing) and 'The River God' (the god boasts about bringing a woman down to his 'bed'). Both works were read beautifully by Zoë, as was 'Souvenir de Monsieur Poop', which pokes fun at the literary establishment that so often shut out Smith.

As Rachel Cooke remarked in her talk, Smith is 'always in the process of being rediscovered' and deserves a prominent, permanent position in the literary canon. Cooke said that she's admired the writer since childhood and finds Smith's 'wit, her irony' and 'taste for silliness and play' often appeals to young readers. Smith had 'pluck', determination and a talent for 'bend[ing] the ordinary world out of shape'.

Zoë read two poems that highlight Smith's playful side and taste for darkly comic scenarios: 'The Jungle Husband' ('Yesterday I hittapotamus / I put the measurements down for you but they got lost in the fuss'!) and 'I Remember'. She then explained that she'd been unfamiliar with Smith's poems when she first encountered Stevie, an 'extraordinary play', but quickly grew to love them. The poems' 'black humour' appeals to Zoë, and reading them brings her 'joy'.

Zoë highlighted Smith's power as a poet when she read the troubling, thought-provoking 'God the Eater'. Afterwards, she lightened the mood by performing a couple of Smith's wittiest, funniest works, 'The Galloping Cat' and 'Tenuous and Precarious'.

Those two highly entertaining readings rounded-off the Stevie Smith celebration and ensured that the audience shared in the joy Zoë finds in the writer's wide-ranging work.

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Tickets selling fast for Zoë's events

7 February 2016 23:52

Poet in the City recently pointed out on Twitter that its Stevie Smith event, at which Zoë will read a selection of Smith's quirky poetry, is almost sold out. This literary event will be hosted by King's Place in London, on 15 February. Currently, a small number of tickets for balcony seats are available; the stalls are fully booked.

Tickets for Elegy, which will be staged at London's Donmar Warehouse from 21 April to 18 June, are also proving very popular. Currently, more than thirty performances of Nick Payne's brand new play, which is set to star Zoë, Barbara Flynn and Nina Sosanya, are sold out. The best availability appears to be for performance dates in June. Having said that, the Donmar recently announced on Twitter that it plans to release in excess of 1,000 £17.50 tickets for Elegy over the coming Mondays, which is very welcome news indeed!

What's more, do keep an eye on the Barclays Front Row ticket initiative, for which £10 tickets are released for performances of shows at the Donmar a fortnight later, in case there's an opportunity to buy tickets for Elegy that way. There's also the possibility of buying day seats in-person at the Donmar, on the day of a performance.

If you'd like to attend one or both events but haven't yet booked, it's obviously a good idea to try and do so sooner rather than later.

Good luck!

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Zoë to star in world premiere of Elegy at Donmar Warehouse

15 January 2016 14:57

It's only two days since All On Her Own/Harlequinade ended, but, excitingly, Zoë's next stage production has already been announced!

Zoë is set to star as Lorna in the world premiere of Nick Payne's Elegy, at London's Donmar Warehouse. The play will also feature Barbara Flynn and Nina Sosanya; the director is Josie Rourke. Elegy is described by the Donmar as 'the beautiful and moving story of three women who've made the choice between love and survival'.

The news has attracted considerable attention from the press, with articles published by The Stage, Time Out, Daily Mail, BroadwayWorld.com, Official London Theatre, Whatsonstage.com, LondonTheatre.co.uk, West End Frame and others.

Elegy will run from 21 April to 18 June. Tickets are available but selling quickly, and so I'd suggest that you book soon, if possible.

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